The cleats are some kind of Masonite and I redrilled mine to move the baffle retaining screws inward as some were very close to the edge of the baffle, which is a mdf material and sort of crumbly. Some PFs have a cleat across the bottom to attach the baffle, which will also need trimming away, but mine only had side and top cleats. The hole ends up being flat on the top so you can stay below the gold front trim strip. I cut mine from the back side using a jig saw. You will have to remove a lot of staples so you can flip the bottom of the cloth out of the way. One of the highlights of the first iPhone SE was the built-in 3. As long as you do careful marking, you can cut the 10" hole leaving the grille cloth attached at the top of the baffle. Unlike the original iPhone SE, the iPhone SE 2 and iPhone SE 3 do not have a headphone jack. I had to remove the bell cover on the Weber. It is an easy mod, but you first want to check the depth of the speaker and diameter of the magnet do not foul the chassis. It sounds good period.and that explains why it has found its way onstage with nationally touring musicians who could use any gear at all-but choose this little marvel.After playing mine, its easy to understand why.I did this as well, fitting first a WGS Veteran 10 and then a Weber Silver Ten alnico. If you have a use for a grab and go combo as a go to practice, rehearsal or small gig amp, I don't believe you'll regret buying this one. There is also an on-board headphone jack for quiet practice.Īll in all, this is a dynamite sounding and surprisingly versatile little amp that is far more useful than its humble price point would suggest. You also have an on-board line out you can use through the P.A.which is an extremely useful and absolutely unheard of feature in any amp this inexpensive. Using the on board 8 ohm extension speaker output to play through a 12" cab opens up the sound of this amp considerably. The boost feature also got too muddy for my taste when switched on at very high gain levels. For me, engaging the boost for solos didn't work as intended because I found the boost to be substantially louder than the base tone regardless of gain level. I find I prefer to engage the boost, set the gain, crank the volume of the amp to the desired level and work the guitar volume knob and vary my pick attack to get more or less break up and volume. If incredibly tube like dynamic vintage classic rock sounds are your thing, this amp is surprisingly tasty. The tone of this amp is surprisingly good through the stock Vox "Blue Bulldog" speaker. The tremolo and reverb are useful effects and also unusual to find in this price point. As with all solid state amps, it does get a bit "grainy" or "fizzy" at ultra high gain levels-so I would not recommend this amp for harder edged musical styles. The tone is all Vox-clean at low volume then that classic "chingy" chime and more grit as the gain and volume is increased. The Vox Pathfinder 15R is a 15 watt solid state amp with Gain, Gain Boost, 2 band EQ (Bass and Treble), a spring reverb and tremolo speed and depth controls. Supplying musical equipment for over 30 years. (Sold Separately) The volume is surprisingly loud for a solid state 15W RMS unit-this amp should work fine for rehearsals and small gigs unless you are working with a very hyperactive drummer. UKs biggest Guitar Shop & Music Store, including Birmingham, London, Manchester & Leeds Guitar Stores. Simply dial in the amount of gain you desire, set your volume, treble/bass and FX levels and off you go! The boost feature and tremolo can both be foot switched with the optional stereo footswitch. You have self explanatory gain and volume controls with a foot switchable volume/gain boost function, a surprisingly useful two band EQ consisting of treble and bass controls, tremolo speed and depth controls and a reverb level knob. The operation of the amp itself couldn't be simpler- it is set up like a familiar single channel class A tube amp.
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